Above is Grainfoot Farm in the Derwent Valley, Peak District National Park, as it can be seen today, alongside a watercolour by Kenneth Rowntree from 1940, shortly before it was demolished to make way for the new Ladybower Reservoir. The two Ordnance Survey maps, one from 2018 and one from 1852 show the position of the map in the landscape and perhaps more importantly today the position of the field boundaries and other landscape items.
The farm was, at one time in the possession of the Eyre family, well-known landowners in Derbyshire, still in existence today. It passed through various other hands, by marriage and purchase, before finding itself in the way of the new reservoir and scheduled for demolition.
The farm was painted by Kenneth Rowntree of the War artists Advisory Committee, not because of its imminent demise but as part of a project to record the changing face of Britain. This started in 1939, overseen by Kenneth Clark, father of the Tory MP Alan Clark, and was devised to record important buildings and artefacts of Britain incase they were destroyed by the second world war. It also coincided with a growing realisation that the landscape was changing at a rapid rate, due to urban development, industrial growth, changing agricultural practices and a shift in the social cohesion of the country after world war one. It followed similar projects carried out in America under the Federal Arts Project. It was felt that by celebrating the unique British landscape in art, morale would be boosted during the darkest hours of the war.